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DTSTART;VALUE=DATE:20260429
DTEND;VALUE=DATE:20260501
DTSTAMP:20260323T100723Z
CREATED:20260323T100658Z
LAST-MODIFIED:20260323T100723Z
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SUMMARY:The End Of The Beginning
DESCRIPTION:Contemporary Music Performance have a end of year gig at the Workman’s Club 29th and 30th April 2026 \n\n\n\n\nA change is in the air. The End of the Beginning is upon us\, and we want you to be a part of it. City of Dublin FET College Ballyfermot are hosting the annual end of year showcase and you won’t want to miss what we have in store. Two nights full of artistic expression\, varying from large scale soundscapes to intimate moments\, controlled and chaotic. \n\n\n\nBuilt and curated by graduates from one of the oldest modern music schools in Europe\, these gigs will offer not only a glimpse of the next generation  also a snapshot of a truly international musical world view. From Balkan influenced pop to dreamy experimentation and soul baring songwriting\, glitchy electronics to the last Seawolf\, the two-night showcase will also feature a selection of debut acts selected by the headliners.but \n\n\n\nSince 1989\, the annual Ballyfermot College Music Showcase has introduced artists like current RTE 2FM Rising artist Roe Byrne\, Choice Music Prize ‘26 nominee Junior Brother\, Damien Dempsey\, Lisa O’Neill\, Wallis Bird and Lucy Blue to wider audiences—creating unforgettable moments in some of Dublin’s most famous venues. \n\n\n\n\n2026 line-up: \nDardo: A Dublin born wizard on the loop station\, creating symphonies of chaotic bliss and pushing the very bounds of reality with a blend of vocal and instrumental dynamics that will leave your ears begging for more. \n\n\n\n\ntetiana: \nA Ukrainian songwriter whose work moves through a poetic and introspective style. Her songs explore emotional contrasts tenderness and strength\, sadness and resilience – creating a sound that feels both intimate and universal. Having written multiple successful songs for major Ukrainian artists and catching the eye of Bryan E. Miller\, tetiana’s music is destined to reach a wider audience. \n\n\n\n\nAltmae: \nEstonian-Finnish singer/songwriter blessed with a voice thousands can only dream of having\, and a grace that has hypnotised audiences from here to Germany using soft but explosive melodies that regularly leaves people slack jawed and inspired. \n\n\n\n\nVėtra: \nA Lithuanian singer/songwriter whose passion can barely be contained by the soft tones of the Kanklės\, a traditional harp that she has played since childhood. Through her powerful voice and atmospheric songs\, Vetra blends folk roots with contemporary songwriting\, creating performances that feel intimate\, emotional…and a little otherworldly. \n\n\n\n\nPatrick Finnegan: \nA Dublin born singer/songwriter who uses his past grievances with life and trauma to call forth something greater. With a thirst for life that escapes through the cracks in sombre lyrics\, his melodies stay in the mind long after first hearing. \n\n\n\n\nAndrei Yolkeen: \nThe rebellious pirate of rock is more myth than man\, the very last Seawolf on our planet. He has spent his whole life wandering the Baltic and northern seas and has just stepped off the ship onto the shores of Ireland to give an unforgettable performance. Armoured by his guitar\, accordion and pipe he strikes the audience with blatantly provocative poetry – get ready for a fierce celebration! \n\n\n\n\nThe end of an opening chapter\, the beginning of great stories. \n\n\n\n\nThe HND in Contemporary Music Performance is a two-year programme designed for aspiring professional musicians\, offering a deep dive into both the creative and business sides of the industry. Under the guidance of experienced musicians and industry professionals\, students refine their artistry\, develop industry insight\, and build lasting connections with like-minded peers. With a focus on individuality and artistic growth\, this unique programme empowers musicians to carve their own path in the world of music.
URL:https://www.dublintown.ie/event/the-end-of-the-beginning/
LOCATION:The Workmans Club
CATEGORIES:Alternative,Electronic & Dance,Festivals,Music,Music,Pop,Rock & Indie,Trad & Folk
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DTSTART;TZID=Europe/Dublin:20260429T200000
DTEND;TZID=Europe/Dublin:20260429T230000
DTSTAMP:20260119T103423Z
CREATED:20260119T103423Z
LAST-MODIFIED:20260119T103423Z
UID:10007668-1777492800-1777503600@dublintown.wpenginepowered.com
SUMMARY:The Big Star Quintet
DESCRIPTION:“A half-century later\, the Memphis band’s sophomore album remains a bright\, beautiful portrait of young\, big emotions and the way they intersected with the joy of music – Paste Magazine (2024) \n\nMemphis\, TN (July 2025)—Five decades ago\, Memphis power pop pioneers Big Star released two albums: No. 1 Record and Radio City. These genre-defining works went on to become cult classics\, inspiring generations of fans through songs such as “In the Street\,” “Thirteen\,” “September Gurls\,” “Back of a Car\,” and “I’m in Love With a Girl.” To celebrate the albums’ enduring legacy\, an all-star collective of musicians (led by the band’s sole surviving original member\, Jody Stephens) will join together on May 1\, at the Smithwick’s Kilkenny Roots Festival (Ireland) to perform many essential songs from Radio City and No. 1 Record\, inducted this year into the Grammy Hall of Fame\, and from the highly influential Third album. \n\nJoining Stephens will be some of the band’s biggest fans who have long been associated with Big Star–related projects\, including Jon Auer (Big Star/The Posies)\, Mike Mills (R.E.M.)\, Chris Stamey (The dB’s)\, and (subbing for Wilco’s Pat Sansone) Norman Blake (Teenage Fanclub) \nHeavily influenced by the British Invasion\, yet undeniably original\, Big Star (vocalist/guitarist/pianist Alex Chilton\, vocalist/guitarist Chris Bell\, bassist Andy Hummel\, and drummer Jody Stephens) offered a fresh new sound when they emerged in the early ’70s. While power pop wouldn’t truly take off until later in the decade\, the Memphis band set the tone with their infectious blend of jangly pop\, driving guitars\, sweet harmonies\, and wistful melancholia. In 1971\, Big Star made their debut with #1 Record\, which featured such memorable numbers as “In the Street” (later made famous by Cheap Trick)\, “Thirteen” (“one of rock’s most beautiful celebrations of adolescence” — Rolling Stone\, 2011)\, and “The Ballad of El Goodo.” (“The bridge [or middle eight\, call it what you will] alone shows more talent and creativity than some bands’ entire back catalogues.” — The Guardian\, 2011) While the album garnered high marks from critics\, however\, it failed to make a commercial splash. \n\nBell departed the band soon after\, leaving Chilton\, Hummel\, and Stephens to continue as a trio. In late 1973\, Big Star returned to Ardent Studios to record their follow-up\, with producer John Fry. Despite losing his longtime collaborator\, Chilton stepped in as the band’s de facto leader—a role that allowed his songwriting talents to shine. Released in 1974\, Radio City featured some of Big Star’s most beloved tracks\, including the bluesy opener “O\, My Soul\,” offbeat rocker “Back of a Car\,” the sweet acoustic ballad “I’m in Love with a Girl\,” plus their iconic pop classic\, “September Gurls.” Once again\, Radio City was met with critical acclaim but fell victim to distribution issues\, selling less than 20\,000 copies at the time. \n\nBut the story of Big Star certainly wasn’t over. Shared between friends and musicians as the years went on\, the albums became cult favorites—far exceeding their original commercial performance. Today\, both No. 1 Record and Radio City are considered definitive titles in the power pop canon and have long been counted among rock’s greatest albums. Hailed as “Pure power pop perfection” by Rolling Stone\, Radio City has been included in the outlet’s 2003\, 2012\, and 2020 “500 Greatest Albums of All Time” rankings. “September Gurls\,” meanwhile\, appeared on its “500 Greatest Songs of All Time” list\, while Consequence of Sound declared the track “One of American music’s prototypical power pop jams.” \n\nAlthough Big Star disbanded in late 1974 (not long after recording their third album\, Third/Sister Lovers)\, the band went on to achieve near-mythic status in the underground scene\, influencing some the biggest alt-rock artists of the ’80s\, ’90s and beyond\, including R.E.M.\, Teenage Fanclub\, Wilco\, and The Replacements (who famously penned the song “Alex Chilton” as an ode to the group’s frontman). Over the years\, Big Star’s songs have been reinterpreted by the likes of Elliott Smith\, The Bangles\, Placebo\, Beck\, Gin Blossoms\, Garbage\, Counting Crows\, and Jeff Buckley\, to name a few.\nIn the last two decades\, Big Star has finally been given their due\, honored with a host of glowing retrospectives\, as well as a tribute record (Big Star Small World\, 2006)\, a documentary (2012’s Nothing Can Hurt Me)\, and the 2016 concert film and live album\, Thank You\, Friends: Big Star’s Third Live…And More. The acclaimed release\, which is available to view on Amazon Prime\, captures the popular touring live show\, “Big Star’s Third\,” in which an all-star roster of guest vocalists and musicians join a core group (including Stephens\, Mike Mills\, Auer\, Sansone\, and Stamey) to perform Third/Sister Lovers\, plus selections from #1 Record and Radio City. Filmed at a concert in Glendale\, CA\, Thank You\, Friends features a cross-generational lineup of talent\, including Jeff Tweedy (Wilco)\, Ira Kaplan (Yo La Tengo)\, Robyn Hitchcock\, Dan Wilson\, original arranger Carl Marsh\, and San Francisco’s Kronos Quartet.
URL:https://www.dublintown.ie/event/the-big-star-quintet/
LOCATION:The Button Factory\, Curved St\, Temple Bar\, Dublin 2
CATEGORIES:Music,Pop
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