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DTSTART;VALUE=DATE:20260603
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SUMMARY:Live Music at M.J. Wright - Keith Grogan!
DESCRIPTION:Bringing the best of Dublin’s live music to your new local in the beating heart of Dublin City Centre!
URL:https://www.dublintown.ie/event/live-music-at-m-j-wright-keith-grogan/
LOCATION:M.J. Wright\, 17 South Great George's Street\, Dublin 2\, Leinster\, D02 HD76\, Ireland
CATEGORIES:Music,Pop,Trad & Folk
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DTSTART;TZID=Europe/Dublin:20260604T190000
DTEND;TZID=Europe/Dublin:20260604T213000
DTSTAMP:20260303T121519Z
CREATED:20251112T105807Z
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SUMMARY:LANY
DESCRIPTION:LA-based duo LANY have announced their Soft World tour will land in Dublin at 3Olympia Theatre on Thursday 4th June 2026. \n\n\nPaul Klein (lead-singer & songwriter) had just finished a workout at his local gym last summer when his and LANY’s world was (for a brief moment\, quite literally) flipped upside down. Only a couple miles from where he lives in Hollywood\, he hopped on his vespa scooter to head home and a minute later was crossing an intersection when a car appeared from nowhere. He squeezed the brakes\, braced for impact and at the last second “let go”. He woke up in an ambulance. \n“The first thought I had when I woke up was that God loves me. That I’m still here for a reason and I have a purpose.” He doesn’t know how much time passed on the pavement. He doesn’t know who called the ambulance. He doesn’t know how long it took them to arrive. He does know how fortunate he is to be alive. “I’m so grateful to be alive\, but I hope there are some parts of me that died on the road that day\,” he says. “I was holding onto some things that I didn’t need to be. Resentment. Unforgiveness. I was becoming pretty bitter and callous — hard of heart.” \nIt’s poetic then that the band’s new album\, titled “Soft”\, addresses his attempts to fight against that internal hardness — to stay soft of the inside\, while simultaneously fighting to rehabilitate an even stronger\, harder exterior to protect that same vulnerability and softness within. \nThe LA-based duo (comprised of Klein and his bandmate/ best friend Jake Goss) were less than two weeks away from the Australian leg of their “a beautiful blur” world tour when the accident happened. Having already finished the European\, North American and Latin American legs\, the band were spending the first weeks of summer at home\, recharging before getting back on the road. Nobody could’ve imagined how quickly everything would change. What is perhaps more conceivable is how catalyzing a moments like this would be for Klein\, both personally and creatively. Thematically and visually “Soft” exists in tension — an intentional contrast of the hard and soft. Tangible\, literal\, physical hardness juxtaposed with metaphorical\, relational (and\, at times too\, physical) softness. The cover itself depicts the perfect visual of that dichotomy: a lamb\, representative of one’s own softness\, in the wounded and bandaged arms of the one that has fought for and protected it. “It’s so easy to let the challenges of the world harden you\,” Klein says. “The hardest thing to do is to fight against it — to stay soft. To protect your softness and the things that you love.” \nSonically\, the album explores these same tensions — much of the softness and vulnerability of lyric that has defined LANY’s acclaimed career\, now with a harder\, braver edge to the production. Where familiar listeners might’ve expected to encounter some more predictable or safer choices\, LANY has seriously matured and evolved. The soft piano ballads west-coast-indie guitars and bedroom pop sonics that LANY helped create and popularize aren’t entirely abandoned\, but their sound and Klein’s writing has expanded. The list of brave choices on “Soft” begins with Klein’s willingness to start writing mere weeks after waking up in the ambulance. It continues with the band’s decision to produce the album entirely with Tommy King\, who has a more abstract\, indie production background / history (Bon Iver\, Dijon\, Vampire Weekend\, Haim) and ends with a sonic-identity that is simultaneously incredibly fresh and peculiarly familiar (another dichotomy that defines the record and has come to define the band). \nNowhere is this seen more than lead-single “Know You Naked”. Lyrically a vulnerable love-letter\, highlighted by Klein’s vocal range and thoughtful extra touches; the tension and contrast is found in an almost-industrial\, dissonant guitar-intro (that continues to persist below the surface)\, harsh synth stabs\, punchy snare hits and momentary “glitchy” static-like sounds. There’s also a particular moment on the album’s title track and opener “Soft” that sets the scene and prepares the audience for what’s ahead. It’s only one and a half minutes into the album\, but is the first time the initial “softness” of the record is broken and it kickstarts the record into life — a daring\, crystalizing early highlight. \nIn more than a few of the tracks\, the record could more aptly even be described as R&B. Maybe that’s where some of the familiarity stems from… The band’s origins and early works felt more “80s”\, but were always very R&B-adjacent. The song “Good Parts” feels like it drew inspiration from the “late-90’s / Y2K” in that way — you can just imagine a big-budget music video played 40x a day\, every day\, on MTV to accompany such an enormous track. This feeling is identified most strongly in the unstoppable album closer “Last Forever” though — an astonishingly raw and honest\, soul-bearing ballad that existing fans and new listeners will be desperate to have on loop (or\, dare-say\, to last forever). While it pushes sonic and thematic boundaries\, it still feels a lot like LANY\, treading that tightrope of tension the band thrive on. \nWith “Soft” dropping this Fall\, the band have spent the latter parts of 2024 and early 2025 relentlessly working on the record\, but have found time outside of the studio too. Earlier this year they played two special nights with The National Symphony Orchestra at The Kennedy Center in DC before headlining Seoul Jazz Festival in Korea in May. LANY have always brought so much of the energy from their live shows to their recorded works and it’s easy to see that influence on “Soft”. While the new record was incubated in the immediate aftermath of the accident — writing and production beginning within just a couple of weeks — the band were amazingly back on stage in Europe to finish their world tour just two months after the crash\, albeit with Klein on a crutch. \nThat tour canvased the globe; highlights of the 80+ show / 300\,000+ ticket run including a first-ever sold out stadium in Manila\, a second time headlining The Forum locally in LA\, and festival headline slots at the iconic Summer Sonic Festivals in Tokyo and Osaka. Nominated for “Best Pop Tour” by Pollstar\, the band’s energetic\, entrancing\, and ever-evolving live show continues to captivate fans on multiple continents.
URL:https://www.dublintown.ie/event/lany/
LOCATION:3Olympia Theatre
CATEGORIES:Music,Pop,R&B,Rock & Indie
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DTSTART;TZID=Europe/Dublin:20260604T193000
DTEND;TZID=Europe/Dublin:20260604T223000
DTSTAMP:20260107T121546Z
CREATED:20260107T121546Z
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SUMMARY:Dream\, Ivory
DESCRIPTION:Dream\, Ivory: brothers Christian and Louie Baello grew up in Southern California\, where “the Baello brothers were each other’s universe.” Christian handles production while Louie serves as the primary lyricist and vocalist\, but every song they make is a true collaboration. Beyond the music\, together\, they make all of Dream\, Ivory’s artwork\, videos\, and visuals. \nInspired by shoegaze\, surf rock\, and artists like Damon Albarn\, the duo quickly built an organic online following. Today\, they have over 450 million streams across their catalogue and their debut single ‘welcome goodbye’ is RIAA certified gold. \nWhen You Come Back… follows their acclaimed 2022 debut LP About a Boy\, “interrogates difficult topics surrounding mental illness and suicidality with grace and conviction.” The new album “incubates a distinctive period in the brothers’ lives defined by dislocation and addiction\,” and marks a creative resurgence that began when they wrote ‘Lost Angeles\,’ the first song for what would become When You Come Back…” \nDream\, Ivory’s Dublin performance marks the first opportunity for Irish fans to hear material from the new album live.
URL:https://www.dublintown.ie/event/dream-ivory/
LOCATION:The Grand Social\, 35 Liffey St. Lower\, Dublin 1\, D01 C3N0
CATEGORIES:Music,Pop,Shoegaze
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