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DTSTART;VALUE=DATE:20260502
DTEND;VALUE=DATE:20260504
DTSTAMP:20251112T101845Z
CREATED:20251112T101845Z
LAST-MODIFIED:20251112T101845Z
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SUMMARY:Nathan Carter
DESCRIPTION:Nathan Carter has announced he’ll bring his unique blend of country\, pop and folk music to 3Olympia Theatre\, Dublin on Saturday 2nd & Sunday 3rd May 2026. \n\n\nNathan Carter is a talented singer hailing from Liverpool\, currently residing in Ireland. With his soulful voice and charismatic stage present\, Nathan has captured the hearts of music lovers across the UK and Ireland. Known for his No1 albums and chart-topping hits\, Nathan has established himself as a prominent figure in the music industry. \nHis passion for music started at a young age\, and he has honed his skills over the years through dedication and hard work. Nathan’s unique blend of country\, pop and folk music has earned him a loyal fan base and critical acclaim. \nIn addition to his successful music career\, Nathan is renowned for his electrifying live performances. He has embarked on numerous nationwide Irish and UK tours\, captivating audiences with his dynamic stage shows and infectious energy. His performances are a testament to his dedication to entertaining and connect with his fans.
URL:https://www.dublintown.ie/event/nathan-carter/
LOCATION:3Olympia Theatre
CATEGORIES:Country,Music,Pop,Trad & Folk
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260501T220000
DTEND;TZID=Europe/Dublin:20260502T030000
DTSTAMP:20260409T082758Z
CREATED:20260409T082758Z
LAST-MODIFIED:20260409T082758Z
UID:10008376-1777672800-1777690800@dublintown.wpenginepowered.com
SUMMARY:SIGNAL Vol.1
DESCRIPTION:SIGNAL VOL.1 – Launch Night A new chapter in Dublin’s electronic music scene. SIGNAL is a carefully curated experience built around sound\, atmosphere and connection. House • Afro House • Melodic House & Techno • Tech House • Indie Dance DJ Barberina & DJ Vlad.Key (UA) An international crowd. One dancefloor. Wigwam\, Dublin May 1\, Doors 22:00 SIGNAL the groove has arrived.
URL:https://www.dublintown.ie/event/signal-vol-1/
LOCATION:Wigwam
CATEGORIES:Electronic & Dance,Music
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260501T193000
DTEND;TZID=Europe/Dublin:20260501T230000
DTSTAMP:20260409T102107Z
CREATED:20260409T102107Z
LAST-MODIFIED:20260409T102107Z
UID:10008389-1777663800-1777676400@dublintown.wpenginepowered.com
SUMMARY:Bleech 9:3
DESCRIPTION:When Bleech 9:3 songwriters/guitarists Barry Quinlan and Sam Duffy first crossed paths in their early twenties\, it almost seemed inconceivable that they hadn’t met before. Throughout their tumultuous teenage years spent gigging in various projects around Dublin\, they’d lived near-parallel lives mired by the chaos-purgatory spiral of addiction; like two shadows cast by the same light but never touching. \nIn the throes of the early stages of recovery – when a better life still felt elusive and intangible\, something to be hoped for\, though not necessarily to be believed in – Barry and Sam were introduced to each other at a 12-step rehab programme. Barry soon signed up to be his new friend’s sponsor and take him through the process\, and felt energised by the similarities in their ambitions and worldview. \n“I think to find someone your own age\, with the same dreams as you\, from the same city and is also suffering from the same thing… we knew immediately that we could help each other\,” recalls Sam. “You can lose your mind thinking about how rare that is.” \nHowever unsteady their respective circumstances may have been at the time\, a brighter\, more creative future suddenly came into focus. In between “secret” writing sessions the foundations of Bleech 9:3 were born\, giving Barry and Sam purpose to move forward. “From the point of view of recovery and sobriety\, we shared an intrinsic understanding of each other. It felt like we were building something very\, very special\,” says Barry. \nThree years on from Barry and Sam’s chance meeting\, and Bleech 9:3 are on the crest of a wave. Completed by James Quinlan (bass) and Luke O’Neill (drums)\, the band are one of the most in-demand new live acts on the circuit\, after a storming 2025 saw them open up for Keo and Shame alongside booking sold-out headline shows. They became a word-of-mouth wonder in a matter of months\, earning early acclaim from press and radio\, before the year culminated in an electrifying three-night residency at London’s Blue Basement. \nWith only a handful of singles to their name\, Bleech 9:3 have established a sound that’s as evocative as it is crunchy and in-your-face\, deftly gliding between sharp\, irrepressible melodies and heavy blasts of distortion whenever the mood demands. They draw from a shared adoration of seminal acts like Radiohead\, Deftones and Nirvana\, as well as more contemporary names like Fontaines D.C. and Sleep Token. \nFollowing the release of new single ‘Cannonball’\, Bleech 9:3 stand on the edge of something momentous. Fresh material is in the works and a devoted fanbase continues to surge\, while a run of over 150 live dates looms large. The road ahead might be rich with possibility – but the band’s existence alone is proof that from the ashes\, something fearless can be reborn.
URL:https://www.dublintown.ie/event/bleech-93/
LOCATION:Whelan’s
CATEGORIES:Alternative,Music,Rock & Indie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260501T193000
DTEND;TZID=Europe/Dublin:20260501T223000
DTSTAMP:20260128T124712Z
CREATED:20260128T124712Z
LAST-MODIFIED:20260128T124712Z
UID:10007774-1777663800-1777674600@dublintown.wpenginepowered.com
SUMMARY:Kiera Dignam
DESCRIPTION:Renowned vocalist and daughter of Irish musical icon Christy Dignam\, Kiera Dignam plays The Grand Social on May 1st\, 2026
URL:https://www.dublintown.ie/event/kiera-dignam/
LOCATION:The Grand Social\, 35 Liffey St. Lower\, Dublin 1\, D01 C3N0
CATEGORIES:Music,Pop
ATTACH;FMTTYPE=image/png:https://dublintown.wpenginepowered.com/wp-content/uploads/2026/01/Kiera-Dignam.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260501T193000
DTEND;TZID=Europe/Dublin:20260501T220000
DTSTAMP:20260312T095536Z
CREATED:20260312T095536Z
LAST-MODIFIED:20260312T095536Z
UID:10008112-1777663800-1777672800@dublintown.wpenginepowered.com
SUMMARY:CHARLIE NOORDEWIER
DESCRIPTION:Charlie Noordewier comes LIVE to Whelan’s on the first of May 2026!
URL:https://www.dublintown.ie/event/charlie-noordewier/
LOCATION:Whelan’s
CATEGORIES:Music,Rock & Indie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260501T190000
DTEND;TZID=Europe/Dublin:20260501T213000
DTSTAMP:20260303T121402Z
CREATED:20251112T101553Z
LAST-MODIFIED:20260303T121402Z
UID:10006811-1777662000-1777671000@dublintown.wpenginepowered.com
SUMMARY:Just Mustard
DESCRIPTION:Just Mustard’s heady blend of noise\, trip hop\, and electronic-influenced music has helped them build a reputation as one of Ireland’s most thrilling new bands\, both live and on record. \nTheir have announced their highly anticipated headline show in one of Dublin’s most iconic venues\, 3Olympia Theatre\, on Friday 1st May 2026. \n\n\nFormed in Dundalk\, Ireland\, Just Mustard consists of vocalist Katie Ball\, guitarists David Noonan (also backing vocals) and Mete Kalyoncuoglu\, bassist Robert Hodgers Clarke\, and drummer Shane Maguire. \nAcross their first two albums – 2018’s Wednesday and Partisan Records debut Heart Under from 2022 – the Irish band had become masters at creating haunting noise rock\, Katie Ball’s bewitching vocals swirling amongst the sounds like smoke. Heart Under\, defined by a maelstrom of dark industrial noise and dreamy textures\, explored themes of grief and longing\, with imagery of being submerged deep underwater and gasping for air. On the remarkable WE WERE JUST HERE\, the band reemerges\, leaning towards the light and the rush of euphoria. A pollyanna is defined as an excessively cheerful or optimistic person. For it to be the title and inspiration of the opening track and lead single from Just Mustard’s third album\, WE WERE JUST HERE\, signals a Damascene moment for the Dundalk five-piece. \nAcross these 10 tracks\, the band’s signature elements are still intact: guitars that are warped beyond recognition\, twisted sound design that draws from the luminary world of Aphex Twin and cavernous low ends. Guitarists David Noonan and Mete Kalyoncuoğlu continue to take their instruments to wild and unrecognizable places\, while the rhythm section of bassist Robert Hodgers Clarke and drummer Shane Maguire bring thudding sub bass and clattering percussion respectively. This time though\, it’s all been channeled into a warmer and more anthemic path\, opening up a new dimension of sound for the band. \n“I was trying to write more optimistically\, and feeling like a fraud sometimes\,” Ball says. “To find ‘POLLYANNA’ as a title\, I was looking up different words for toxic happiness. I was trying to achieve happiness even if it wasn’t always helpful. Euphoria was a word that kept coming up – trying to feel euphoric\, but at a cost.” \n“I don’t wanna go where I can’t feel a thing\,” she sings on the bold and melodic “DREAMER”\, while the album’s title track – the perfect mix of their thudding signature guitar sound and new commitment to lightness and warmth – explodes into technicolor noise after Ball’s declaration: “I just wanna make it feel good.” \nThe singer adds: “I was trying to put myself in places of physical joy to try and get that euphoric feeling.” Across the album\, songs draw from a wide spectrum of emotion and feeling\, with characters searching for ecstasy\, holding onto love and grasping for the rush of feeling alive. The vocals foreground these feelings\, and the intricately crafted compositions behind them back up the urge\, whether on the propulsive “SILVER” or the explosive “ENDLESS DEATHLESS”. \nProduced by Noonan and the band\, they aimed for directness and immediacy with their songwriting. While their approach to composition had previously been inspired by their love of electronic music\, starting with instrumental loops and textures and later weaving vocal ideas around them\, the band made a conscious decision to reverse engineer this process on WWJH. For them this meant adopting a more traditional method\, looking to the swirling rock and dynamic song structures of Nirvana and My Bloody Valentine and striving for big\, bold\, fully encompassing songs. \n“The vocal structure was the most important thing\,” Noonan says of how the songs for WE WERE JUST HERE were built. With choruses bursting with melody and brightness\, Ball’s vocals rise higher in the mix throughout the album\, partly as a purely sonic decision but also to hammer home feelings of positivity\, albeit sometimes conflicted ones. \nWhile it presents an expanded emotional palette for the band\, everything is still directed through their unique lens\, feeling Lynchian in the way it shoots for happiness but ends up with something stranger\, more complicated and more fascinating. \nThe strange and distinct universe the band create on record is reinforced with haunting interludes of warped speech and noise: “We wanted to create levels of texture in the album that could recall different layers of memory and time\, also injecting some of our own personal experience of creating into the finished tracks. We used snippets of voice memos from the writing process\, some elements are from the first recorded version or from various demos\, and in the studio used a mixture of digital and analogue equipment and 1/2” tape processing.” \nThe idea of place was also key when writing\, the band thinking about clubs and dancefloors as settings which directed them to strive for something immediate and urgent. “When we were writing the songs\, we could actually sometimes see different rooms and imagine playing this song in this venue”. While most of the rooms popping into his head weren’t cavernous arenas\, the band’s extensive 2023 tour of South America in support of The Cure also pointed towards the opportunity for a bigger and more expansive sound. \nWE WERE JUST HERE was recorded at the Black Mountain studio just outside of the band’s hometown of Dundalk. As with Heart Under\, they brought in David Wrench (Frank Ocean\, FKA twigs) to mix the record. “It’s amazing how he seemingly added more melody to the songs just through processing\,” Noonan says\, relishing in handing the album to someone else after “our hands had been all over it\,” with Wrench pulling out even more depth and strength to Ball’s vocals. \nAs a band more interested in gesturing towards themes rather than ramming narratives down listeners’ throats\, WE WERE JUST HERE was the perfect title for the new album. The band reflect; “If you put the emphasis on any of the four words\, it can mean something different.” \nAs such\, you can ingest Ball’s lyrics as a conflicted and toxic grasp at positivity\, or a cathartic breakthrough into blissful\, true euphoria. Whichever way it’s received\, it arrives in the package of a revelatory new album\, one that takes Just Mustard’s music to ecstatic new places. For Heart Under\, a core concept of the album was to make listeners feel like they were travelling through a tunnel. With WE WERE JUST HERE\, they explode out into the blinding light.
URL:https://www.dublintown.ie/event/just-mustard/
LOCATION:3Olympia Theatre
CATEGORIES:Electronic & Dance,Music,Rock & Indie,Shoegaze
ATTACH;FMTTYPE=image/png:https://dublintown.wpenginepowered.com/wp-content/uploads/2025/11/Just-Mustard.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260501T130000
DTEND;TZID=Europe/Dublin:20260501T140000
DTSTAMP:20260330T114941Z
CREATED:20260330T114941Z
LAST-MODIFIED:20260330T114941Z
UID:10008305-1777640400-1777644000@dublintown.wpenginepowered.com
SUMMARY:Those Hucklebuck Days: The Songs We Danced To
DESCRIPTION:Alan Carney\nEvelyn Grant (Narrator)\nLinda Kenny\nDamian Smith \nThe Singalong Songbook pays homage to the popular showband era. In this heady tribute to pure nostalgia\, Those Hucklebuck Days: The Songs We Danced To revisits those hits that played each day on the radio and dominated the ballrooms of romance. The brilliant Singalong Songbook team\, joined by showband legend Art Supple of the Victors Showband\, will help you relive magic memories as they remember the crazy showband days in Ireland\, particularly Dublin.
URL:https://www.dublintown.ie/event/those-hucklebuck-days-the-songs-we-danced-to/
LOCATION:National Concert Hall
CATEGORIES:Classical,Music,Pop
ATTACH;FMTTYPE=image/png:https://dublintown.wpenginepowered.com/wp-content/uploads/2026/03/Hucklebuck-Days.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260501
DTEND;VALUE=DATE:20260504
DTSTAMP:20260119T094144Z
CREATED:20251208T142704Z
LAST-MODIFIED:20260119T094144Z
UID:10007241-1777593600-1777852799@dublintown.wpenginepowered.com
SUMMARY:James Joyce Centre Walking Tours
DESCRIPTION:Guides from the James Joyce Centre take you through Dublin\, exploring the history of the city and the various locations described by Ireland’s greatest writer\, James Joyce.\n\nThough Joyce lived most of his life outside of Ireland\, Dublin would provide the backdrop for virtually all of his work. On a stroll around the inner city\, our guide will explain the real-life inspiration behind some of Joyce’s most celebrated writing\, demonstrating just how central the streetscape of the ‘Hibernian metropolis’ was to the author’s life and art. The tour visits such stops as Belvedere College\, the Gresham Hotel\, the James Joyce Statue\, Davy Byrnes\, and the National Library.\n\nThis is an excellent and fun introduction to Joyce in a bustling part of the city.\n\nThe James Joyce Centre offers two tours: Introducing Joyce’s Dublin and Footsteps of Leopold Bloom.\n\nEvery Thursday\, Friday & Saturday at 11 am. Duration 2 hours.\n\nAdmission to the James Joyce Centre is included. \nThe James Joyce Centre is supported by the Department of Culture\, Communications and Sport.
URL:https://dublintown.wpenginepowered.com/event/james-joyce-centre-walking-tours/2026-05-01/
LOCATION:The James Joyce Centre
CATEGORIES:Arts & Culture,Tours
ATTACH;FMTTYPE=image/jpeg:https://dublintown.wpenginepowered.com/wp-content/uploads/2025/12/Photo-22-03-2024-11-06-20.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260430T200000
DTEND;TZID=Europe/Dublin:20260430T230000
DTSTAMP:20260119T110655Z
CREATED:20260119T110655Z
LAST-MODIFIED:20260119T110655Z
UID:10007669-1777579200-1777590000@dublintown.wpenginepowered.com
SUMMARY:Creeper
DESCRIPTION:At approximately 10.30pm on 1st November 2018 at London’s KOKO\, the curtain came down on the UK’s most exciting band. Enigmatic Creeper frontman Will Gould gave a speech that echoed the late David Bowie’s infamous farewell at his Hammersmith Apollo gig in 1972. “Of all the shows we’ve played in this last four years\, this one will remain with us the longest\,” said Gould before launching into the final track of their set\, “because not only is it the last show of this album\, but it’s the last show that we’ll ever do”. Distraught fans wept in disbelief\, confused at why\, at the height of their powers\, their favourite band would disappear. \nCreeper had formed in 2014 in Southampton\, each of its members influenced by their mutual involvement in the town’s hardcore scene and a love of punk and glam rock. Oliver Burdett and Hannah Greenwood soon joined founding members Gould\, Ian Miles\, Dan Bratton and Sean Scott in 2015. \nThey released EPs that immediately garnered an obsessive fan-base of outsiders and lost teenagers affectionately dubbing themselves the Creeper Cult. The band were hailed as the best new rock band of recent times by critics\, receiving a Kerrang! Award and Metal Hammer Golden Gods Award in 2016. Debut album ‘Eternity’\, ‘In Your Arms’ (2017) aimed to heighten their hometown by the sea to a place of mystery and grandeur; to echo realisations about growing up and out of your old\, younger self. It debuted at number 1 in the UK Rock & Metal Albums Chart and in the top 20 of the UK Albums Chart. Rarely does a new band break through into a scene where the majority of groups achieving those feats are 10+ years into their career\, especially with a debut album. \nMasters of play and pastiche\, the six-piece had always planned to disappear – albeit temporarily – once they’d finished touring their debut\, but suddenly it felt like they’d have to disappear from the music scene for good. Guitarist Ian Miles was extremely unwell and about to be hospitalised\, Gould was burnt out and exhausted. The pair had supported each other through mental health struggles in the past but this was altogether more serious and unknown territory. \nThe worst year of Gould’s life was about to begin. The week after Miles was sectioned\, the pair were meant to fly to LA to write the second album; Creeper’s leader had to go alone. Over the next 12 months\, his mum’s partner unexpectedly passed away and his relationship with his fiance was on the brink of collapse. Unsure of what else to do\, Gould threw all his focus and emotional energy into the album. He knew that everything had to be different – in both his own life and with the band. \nHe wanted to build on the glam\, goth-leaning rock they were loved for but push through to create something far more ambitious. Indeed\, as Gould admits\, “The only way to make another Creeper record\, as difficult as it was\, was to smash Creeper to the ground.” This would be a total rejection of the generic big-production pop punk direction they could easily take. Instead Gould wanted fans to see the pomp\, joy and spirit of Creeper through the lens of the colourful and sentimental Americana of Bruce Springsteen and Roy Orbison\, with the theatrical glam of Marc Bolan and T-Rex. \nGould would sleep all day in his Hollywood apartment and at night emerge into the seedy\, flashy underbelly of Los Angeles. Partying\, exploring and attending fetish clubs\, the Englishman in LA quickly felt at home among the goths\, punks\, misfits and reprobrates of the city. Although he was having a wild ride\, it wasn’t without challenges. “My alcoholism had veered massively out of control\,” he remembers. “I’d swing from optimism about the band’s future to conversations with Ian that made me believe he’d never get better\, and recovery wouldn’t happen.” Gould wrote some of the album alone but some he and Miles wrote together over a webcam – Gould on a mini keyboard in his rented room in the States and his musical partner with an instrument from the Priory hospital in England. \nCreated amongst this emotional turmoil under the hot LA sun\, Sex\, Death & the Infinite Void is a concept album that loosely mirrors Gould’s life. Boy moves to new city\, goes off the rails\, meets new girl\, falls in love and the world as they know it ends. It’s what Gould calls his take on “apocalyptic romanticism.” Never has there been a more appropriate time for riotous end-of-days anthems as we edge closer to the infinite void ourselves. Through rousing gang choruses\, sharp rat-pack style and a golden touch of modern country\, the journey is a cinematic adventure through Gould’s extraordinary mind.
URL:https://www.dublintown.ie/event/creeper/
LOCATION:Whelan’s
CATEGORIES:Music,Punk,Rock & Indie
ATTACH;FMTTYPE=image/png:https://dublintown.wpenginepowered.com/wp-content/uploads/2026/01/Creeper.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260430T200000
DTEND;TZID=Europe/Dublin:20260430T223000
DTSTAMP:20260312T095146Z
CREATED:20260312T095146Z
LAST-MODIFIED:20260312T095146Z
UID:10008111-1777579200-1777588200@dublintown.wpenginepowered.com
SUMMARY:ALPINE SKIES
DESCRIPTION:“Lovely” – Simon Le Bon (Duran Duran) \nDublin based Alpine Skies picked up considerable glances from quite the famous fan with their debut release in 2025\, and continued to grow on those advances\, as the year progressed. The band blend indie rock\, post-Britpop\, and electronic rock elements with a strong foundation in guitar-based songwriting. A project rooted in melody and emotion\, fusing storytelling and cinematic sounds\, often described as having a hazy\, atmospheric quality\, and known for its cinematic\, emotionally resonant nature. \nSince that debut release\, the band have been earning praise from the likes of Hot Press\, Pure M Magazine\, The Beat\, RTE 2XM\, Red FM\, Dublin City FM locally\, to also acquiring the aforementioned international praise and attention of Duran Duran’s Simon Le Bon on his Whooosh! (Sirius XM) radio show out in L.A\, and more. \nTheir debut album\, “Inspired Conflicts”\, is set for release early April 2026\, with this event showcasing the fruits of those works. \n“They deal in alternative rock that trades polish for pulse. Their songs drift between open-sky calm and the kind of inner static that keeps you awake at 3 a.m.… and all the messy rebuilding that comes with trying to stay human in a world that won’t slow down.” – Pure M Magazine. \n“…an increase of momentum that feels like a mobilised movement growing ever-powerful.” – Hot Press.
URL:https://www.dublintown.ie/event/alpine-skies/
LOCATION:Whelan’s
CATEGORIES:Electronic & Dance,Music,Rock & Indie
ATTACH;FMTTYPE=image/png:https://dublintown.wpenginepowered.com/wp-content/uploads/2026/03/Alpine-Skies.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260430
DTEND;VALUE=DATE:20260503
DTSTAMP:20260119T094144Z
CREATED:20251208T142704Z
LAST-MODIFIED:20260119T094144Z
UID:10007240-1777507200-1777766399@dublintown.wpenginepowered.com
SUMMARY:James Joyce Centre Walking Tours
DESCRIPTION:Guides from the James Joyce Centre take you through Dublin\, exploring the history of the city and the various locations described by Ireland’s greatest writer\, James Joyce.\n\nThough Joyce lived most of his life outside of Ireland\, Dublin would provide the backdrop for virtually all of his work. On a stroll around the inner city\, our guide will explain the real-life inspiration behind some of Joyce’s most celebrated writing\, demonstrating just how central the streetscape of the ‘Hibernian metropolis’ was to the author’s life and art. The tour visits such stops as Belvedere College\, the Gresham Hotel\, the James Joyce Statue\, Davy Byrnes\, and the National Library.\n\nThis is an excellent and fun introduction to Joyce in a bustling part of the city.\n\nThe James Joyce Centre offers two tours: Introducing Joyce’s Dublin and Footsteps of Leopold Bloom.\n\nEvery Thursday\, Friday & Saturday at 11 am. Duration 2 hours.\n\nAdmission to the James Joyce Centre is included. \nThe James Joyce Centre is supported by the Department of Culture\, Communications and Sport.
URL:https://dublintown.wpenginepowered.com/event/james-joyce-centre-walking-tours/2026-04-30/
LOCATION:The James Joyce Centre
CATEGORIES:Arts & Culture,Tours
ATTACH;FMTTYPE=image/jpeg:https://dublintown.wpenginepowered.com/wp-content/uploads/2025/12/Photo-22-03-2024-11-06-20.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260429T200000
DTEND;TZID=Europe/Dublin:20260429T230000
DTSTAMP:20260127T110400Z
CREATED:20260127T110400Z
LAST-MODIFIED:20260127T110400Z
UID:10007746-1777492800-1777503600@dublintown.wpenginepowered.com
SUMMARY:DOM GLYNN & HIS SUNDAY BEST
DESCRIPTION:Putting in the hours – that’s how the greats crack the code. It’s a tried-and-true path\, but one that demands total dedication and serious talent. Dom Glynn has both in spades. In his early twenties\, this singing\, guitar-slinging Brit was already living for and off music\, playing endless sets of songs by his American heroes in and around London. He’s since \nbeen inspired to write his own future standards. Now\, armed with those songs and his band His Sunday Best\, in 2025 he hit the road for the first time\, with a tour of The Netherlands and Germany in July and a UK tour in September. \nNow 29\, Glynn already has several releases under his belt and released a studio album in August and a live album in December. His songwriting echoes the spirit of legends like Johnny Cash and Hank Williams Sr.\, while his guitar work recalls the elegant fingerpicking of Doc Watson. Years of constant performing have shaped him into a seasoned and compelling live act. And since 2023\, he’s had an outstanding band to back him up. \nDom Glynn & His Sunday Best bring a sound and vibe that get people drinking\, dancing\, and simply having a great time. They’ve already proven it at major UK and EU festivals like Maverick\, Ramblin’ Roots Revue\, Black Deer\, Rotterdam Bluegrass and Static Roots.
URL:https://www.dublintown.ie/event/dom-glynn-his-sunday-best-2/
LOCATION:Whelan’s
CATEGORIES:Country,Music,Trad & Folk
ATTACH;FMTTYPE=image/png:https://dublintown.wpenginepowered.com/wp-content/uploads/2026/01/Dom-Glynn-His-Sunday-Best.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260429T200000
DTEND;TZID=Europe/Dublin:20260429T230000
DTSTAMP:20260119T103423Z
CREATED:20260119T103423Z
LAST-MODIFIED:20260119T103423Z
UID:10007668-1777492800-1777503600@dublintown.wpenginepowered.com
SUMMARY:The Big Star Quintet
DESCRIPTION:“A half-century later\, the Memphis band’s sophomore album remains a bright\, beautiful portrait of young\, big emotions and the way they intersected with the joy of music – Paste Magazine (2024) \n\nMemphis\, TN (July 2025)—Five decades ago\, Memphis power pop pioneers Big Star released two albums: No. 1 Record and Radio City. These genre-defining works went on to become cult classics\, inspiring generations of fans through songs such as “In the Street\,” “Thirteen\,” “September Gurls\,” “Back of a Car\,” and “I’m in Love With a Girl.” To celebrate the albums’ enduring legacy\, an all-star collective of musicians (led by the band’s sole surviving original member\, Jody Stephens) will join together on May 1\, at the Smithwick’s Kilkenny Roots Festival (Ireland) to perform many essential songs from Radio City and No. 1 Record\, inducted this year into the Grammy Hall of Fame\, and from the highly influential Third album. \n\nJoining Stephens will be some of the band’s biggest fans who have long been associated with Big Star–related projects\, including Jon Auer (Big Star/The Posies)\, Mike Mills (R.E.M.)\, Chris Stamey (The dB’s)\, and (subbing for Wilco’s Pat Sansone) Norman Blake (Teenage Fanclub) \nHeavily influenced by the British Invasion\, yet undeniably original\, Big Star (vocalist/guitarist/pianist Alex Chilton\, vocalist/guitarist Chris Bell\, bassist Andy Hummel\, and drummer Jody Stephens) offered a fresh new sound when they emerged in the early ’70s. While power pop wouldn’t truly take off until later in the decade\, the Memphis band set the tone with their infectious blend of jangly pop\, driving guitars\, sweet harmonies\, and wistful melancholia. In 1971\, Big Star made their debut with #1 Record\, which featured such memorable numbers as “In the Street” (later made famous by Cheap Trick)\, “Thirteen” (“one of rock’s most beautiful celebrations of adolescence” — Rolling Stone\, 2011)\, and “The Ballad of El Goodo.” (“The bridge [or middle eight\, call it what you will] alone shows more talent and creativity than some bands’ entire back catalogues.” — The Guardian\, 2011) While the album garnered high marks from critics\, however\, it failed to make a commercial splash. \n\nBell departed the band soon after\, leaving Chilton\, Hummel\, and Stephens to continue as a trio. In late 1973\, Big Star returned to Ardent Studios to record their follow-up\, with producer John Fry. Despite losing his longtime collaborator\, Chilton stepped in as the band’s de facto leader—a role that allowed his songwriting talents to shine. Released in 1974\, Radio City featured some of Big Star’s most beloved tracks\, including the bluesy opener “O\, My Soul\,” offbeat rocker “Back of a Car\,” the sweet acoustic ballad “I’m in Love with a Girl\,” plus their iconic pop classic\, “September Gurls.” Once again\, Radio City was met with critical acclaim but fell victim to distribution issues\, selling less than 20\,000 copies at the time. \n\nBut the story of Big Star certainly wasn’t over. Shared between friends and musicians as the years went on\, the albums became cult favorites—far exceeding their original commercial performance. Today\, both No. 1 Record and Radio City are considered definitive titles in the power pop canon and have long been counted among rock’s greatest albums. Hailed as “Pure power pop perfection” by Rolling Stone\, Radio City has been included in the outlet’s 2003\, 2012\, and 2020 “500 Greatest Albums of All Time” rankings. “September Gurls\,” meanwhile\, appeared on its “500 Greatest Songs of All Time” list\, while Consequence of Sound declared the track “One of American music’s prototypical power pop jams.” \n\nAlthough Big Star disbanded in late 1974 (not long after recording their third album\, Third/Sister Lovers)\, the band went on to achieve near-mythic status in the underground scene\, influencing some the biggest alt-rock artists of the ’80s\, ’90s and beyond\, including R.E.M.\, Teenage Fanclub\, Wilco\, and The Replacements (who famously penned the song “Alex Chilton” as an ode to the group’s frontman). Over the years\, Big Star’s songs have been reinterpreted by the likes of Elliott Smith\, The Bangles\, Placebo\, Beck\, Gin Blossoms\, Garbage\, Counting Crows\, and Jeff Buckley\, to name a few.\nIn the last two decades\, Big Star has finally been given their due\, honored with a host of glowing retrospectives\, as well as a tribute record (Big Star Small World\, 2006)\, a documentary (2012’s Nothing Can Hurt Me)\, and the 2016 concert film and live album\, Thank You\, Friends: Big Star’s Third Live…And More. The acclaimed release\, which is available to view on Amazon Prime\, captures the popular touring live show\, “Big Star’s Third\,” in which an all-star roster of guest vocalists and musicians join a core group (including Stephens\, Mike Mills\, Auer\, Sansone\, and Stamey) to perform Third/Sister Lovers\, plus selections from #1 Record and Radio City. Filmed at a concert in Glendale\, CA\, Thank You\, Friends features a cross-generational lineup of talent\, including Jeff Tweedy (Wilco)\, Ira Kaplan (Yo La Tengo)\, Robyn Hitchcock\, Dan Wilson\, original arranger Carl Marsh\, and San Francisco’s Kronos Quartet.
URL:https://www.dublintown.ie/event/the-big-star-quintet/
LOCATION:The Button Factory\, Curved St\, Temple Bar\, Dublin 2
CATEGORIES:Music,Pop
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260429T200000
DTEND;TZID=Europe/Dublin:20260429T223000
DTSTAMP:20260312T094851Z
CREATED:20260312T094851Z
LAST-MODIFIED:20260312T094851Z
UID:10008110-1777492800-1777501800@dublintown.wpenginepowered.com
SUMMARY:SKIPPER’S REVENGE
DESCRIPTION:Skipper’s Revenge are a 6 piece band based in Dublin with three main priorities: playing good music\, having a good time and tearing up the music scene with their energy driven gigs. \nThe band is made up of secondary school friends who adopted a singer/electric guitarist when they entered college and have been grafting and grinding to bring feel good music to the world over the past few months. What sets Skipper’s Revenge apart from everyone else is their brass horn section which seamlessly integrates with the rest of the band. The band is comprised of singer/electric guitarist Michael D’Arcy\, keys player Thomas McFeeney Izart\, drummer Milo Martin\, Bassist Cain Butler and a horn section including Felim Sullivan on the trumpet and saxophonist Darragh “Skipper” Butler on both the tenor and baritone saxophone.
URL:https://www.dublintown.ie/event/skippers-revenge/
LOCATION:Whelan’s
CATEGORIES:Music,Rock & Indie
ATTACH;FMTTYPE=image/png:https://dublintown.wpenginepowered.com/wp-content/uploads/2026/03/Skippers-Revenge.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260429
DTEND;VALUE=DATE:20260501
DTSTAMP:20260323T100723Z
CREATED:20260323T100658Z
LAST-MODIFIED:20260323T100723Z
UID:10008197-1777420800-1777593599@dublintown.wpenginepowered.com
SUMMARY:The End Of The Beginning
DESCRIPTION:Contemporary Music Performance have a end of year gig at the Workman’s Club 29th and 30th April 2026 \n\n\n\n\nA change is in the air. The End of the Beginning is upon us\, and we want you to be a part of it. City of Dublin FET College Ballyfermot are hosting the annual end of year showcase and you won’t want to miss what we have in store. Two nights full of artistic expression\, varying from large scale soundscapes to intimate moments\, controlled and chaotic. \n\n\n\nBuilt and curated by graduates from one of the oldest modern music schools in Europe\, these gigs will offer not only a glimpse of the next generation  also a snapshot of a truly international musical world view. From Balkan influenced pop to dreamy experimentation and soul baring songwriting\, glitchy electronics to the last Seawolf\, the two-night showcase will also feature a selection of debut acts selected by the headliners.but \n\n\n\nSince 1989\, the annual Ballyfermot College Music Showcase has introduced artists like current RTE 2FM Rising artist Roe Byrne\, Choice Music Prize ‘26 nominee Junior Brother\, Damien Dempsey\, Lisa O’Neill\, Wallis Bird and Lucy Blue to wider audiences—creating unforgettable moments in some of Dublin’s most famous venues. \n\n\n\n\n2026 line-up: \nDardo: A Dublin born wizard on the loop station\, creating symphonies of chaotic bliss and pushing the very bounds of reality with a blend of vocal and instrumental dynamics that will leave your ears begging for more. \n\n\n\n\ntetiana: \nA Ukrainian songwriter whose work moves through a poetic and introspective style. Her songs explore emotional contrasts tenderness and strength\, sadness and resilience – creating a sound that feels both intimate and universal. Having written multiple successful songs for major Ukrainian artists and catching the eye of Bryan E. Miller\, tetiana’s music is destined to reach a wider audience. \n\n\n\n\nAltmae: \nEstonian-Finnish singer/songwriter blessed with a voice thousands can only dream of having\, and a grace that has hypnotised audiences from here to Germany using soft but explosive melodies that regularly leaves people slack jawed and inspired. \n\n\n\n\nVėtra: \nA Lithuanian singer/songwriter whose passion can barely be contained by the soft tones of the Kanklės\, a traditional harp that she has played since childhood. Through her powerful voice and atmospheric songs\, Vetra blends folk roots with contemporary songwriting\, creating performances that feel intimate\, emotional…and a little otherworldly. \n\n\n\n\nPatrick Finnegan: \nA Dublin born singer/songwriter who uses his past grievances with life and trauma to call forth something greater. With a thirst for life that escapes through the cracks in sombre lyrics\, his melodies stay in the mind long after first hearing. \n\n\n\n\nAndrei Yolkeen: \nThe rebellious pirate of rock is more myth than man\, the very last Seawolf on our planet. He has spent his whole life wandering the Baltic and northern seas and has just stepped off the ship onto the shores of Ireland to give an unforgettable performance. Armoured by his guitar\, accordion and pipe he strikes the audience with blatantly provocative poetry – get ready for a fierce celebration! \n\n\n\n\nThe end of an opening chapter\, the beginning of great stories. \n\n\n\n\nThe HND in Contemporary Music Performance is a two-year programme designed for aspiring professional musicians\, offering a deep dive into both the creative and business sides of the industry. Under the guidance of experienced musicians and industry professionals\, students refine their artistry\, develop industry insight\, and build lasting connections with like-minded peers. With a focus on individuality and artistic growth\, this unique programme empowers musicians to carve their own path in the world of music.
URL:https://www.dublintown.ie/event/the-end-of-the-beginning/
LOCATION:The Workmans Club
CATEGORIES:Alternative,Electronic & Dance,Festivals,Music,Music,Pop,Rock & Indie,Trad & Folk
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260428T200000
DTEND;TZID=Europe/Dublin:20260428T230000
DTSTAMP:20260119T102953Z
CREATED:20260119T102953Z
LAST-MODIFIED:20260119T102953Z
UID:10007667-1777406400-1777417200@dublintown.wpenginepowered.com
SUMMARY:Splean
DESCRIPTION:“No way out\,” “Orbit without sugar\,” “Life line\,” “Romance\,” “Get out of my head\,” “My heart” – these and many other undeniable hits will be performed at the concerts as part of the World tour of the band Splean. \nThe artists have traveled a long way to meet their fans. Don’t miss the show in your city. Only the best! Only live sound!
URL:https://www.dublintown.ie/event/splean/
LOCATION:The Academy\, 57 Middle Abbey Street\, Dublin
CATEGORIES:Alternative,Metal,Music,Rock & Indie
ATTACH;FMTTYPE=image/png:https://dublintown.wpenginepowered.com/wp-content/uploads/2026/01/Splean.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260428T193000
DTEND;TZID=Europe/Dublin:20260428T223000
DTSTAMP:20260119T102351Z
CREATED:20260119T102351Z
LAST-MODIFIED:20260119T102351Z
UID:10007666-1777404600-1777415400@dublintown.wpenginepowered.com
SUMMARY:Robert Finley
DESCRIPTION:On the back-end of his incredible performance on BBC’s Later With Jools Holland this month\, Louisiana soul-blues artist Robert Finley is announcing more headline shows in France\, Netherlands and Germany for 2026. The tour follows his critically acclaimed album Hallelujah! Don’t Let The Devil Fool Ya\, which was released earlier this year via Easy Eye Sound. \nFinley kicks off the fourteen date run of shows in Tourcoing\, France on February 24th and then makes his way to the Netherlands for four shows followed by four more shows in Germany ending in Berlin on March 12th. Tickets for all shows go on sale this Friday. Visit (XXXXX) for tickets. \nFinley’s new album Hallelujah! Don’t Let The Devil Fool Ya received global acclaim\, with SPIN declaring the artist “a master musician and entertainer – only gets better with time\,” and UNCUT noting: “Approaching his eighth decade … Finley’s work here is clearly just getting started.” \nThe album — produced by longtime collaborator Dan Auerbach at his Easy Eye Sound studio in Nashville — features bold\, joy-driven gospel-soul statements like “I Wanna Thank You\,” and was recorded in the spirit of live improvisation with Finley and his band. Finley now brings his unmissable live show across Europe. \n— — — — \nAfter a lifetime of hard work\, Robert Finley has established himself as one of today’s preeminent spokesmen of the blues. Born and raised in the small town of Bernice\, LA\, Finley spent decades playing music as a street performer and leader of the gospel group Brother Finley and the Gospel Sisters before making his long overdue recording debut at the young age of 62 with 2016’s Age Don’t Mean A Thing. The album captured the attention of Easy Eye Sound founder Dan Auerbach\, beginning a long collaborative relationship that has included 2017’s Goin’ Platinum\, 2021’s autobiographical Sharecropper’s Son\, and 2023’s critically acclaimed Black Bayou. An 11-track tour de force that coalesces southern soul\, jazz\, folk\, blues\, rock ‘n’ roll and more into a raw\, thundering tribute to Finley’s home state of Louisiana\, the latter album was met by ecstatic applause from leading publications around the world spanning SPIN\, The FADER\, No Depression\, American Songwriter\, Paste\, Uncut\, and more with MOJO simply declaring in a five-starred rave\, “Black Bayou is surely the album Finley was put on Earth to create\, filled with stories only he could tell.” \nAn electrifying performer known for his soulful swagger and gritty vocal power\, Finley has since proven a hugely popular international live act with sold-out headline tours\, countless festival appearances\, shows alongside The Black Keys\, and a leading role in Auerbach’s Easy Eye Sound Revue. Finley has also made a number of high-profile network TV appearances\, including the 2019 season of NBC’s “America’s Got Talent” – where he eventually made it to the semi-finals – and CBS Saturday Morning. Having overcome great adversity – including losing his sight in his 60s – Robert Finley is now justly recognized the world over as a singular storyteller and one of the last great bluesmen of the modern era\, a true living legend with still more magic to come.
URL:https://www.dublintown.ie/event/robert-finley/
LOCATION:Whelan’s
CATEGORIES:Music,R&B,Rock & Indie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260428T193000
DTEND;TZID=Europe/Dublin:20260428T220000
DTSTAMP:20260115T125440Z
CREATED:20260115T125440Z
LAST-MODIFIED:20260115T125440Z
UID:10007663-1777404600-1777413600@dublintown.wpenginepowered.com
SUMMARY:IST IST
DESCRIPTION:IST IST performs at The Grand Social on the 28th of April!
URL:https://www.dublintown.ie/event/ist-ist/
LOCATION:The Grand Social\, 35 Liffey St. Lower\, Dublin 1\, D01 C3N0
CATEGORIES:Music,Punk
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260428T190000
DTEND;TZID=Europe/Dublin:20260428T223000
DTSTAMP:20260304T115858Z
CREATED:20260304T115858Z
LAST-MODIFIED:20260304T115858Z
UID:10008014-1777402800-1777415400@dublintown.wpenginepowered.com
SUMMARY:TUL8TE
DESCRIPTION:TUL8TE is one of the most exciting breakout artists of his generation — an Egyptian Gen Z icon whose music and mystique have grown into a global movement. Recognizable by his signature crocheted wool mask and 90s-inspired aesthetic\, he has created a world where anonymity amplifies emotion and artistry. \nBlending indie pop\, hip-hop\, funk\, bossa nova\, and the soul of Arabic pop\, TUL8TE delivers a genre-defying sound that transcends borders. With over 300 million streams across platforms\, he has proven that Arabic music resonates worldwide. \nHis breakout project Cocktail Ghena’y introduced him as a powerful new voice\, leading to hits like “Habibi Leih” and “Heseeny\,” each surpassing 37 million Spotify streams. His latest album\, Narein\, alongside viral singles “EL Hob Gany” and “Seneen\,” further cements his status as one of the most innovative artists redefining contemporary Arab pop. \nOn stage\, TUL8TE delivers immersive\, emotionally charged performances — taking audiences on a journey that is intimate\, explosive\, and unforgettable.
URL:https://www.dublintown.ie/event/tul8te/
LOCATION:The Button Factory\, Curved St\, Temple Bar\, Dublin 2
CATEGORIES:Funk,Hip Hop,Music,Pop,Rock & Indie
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260428T190000
DTEND;TZID=Europe/Dublin:20260428T220000
DTSTAMP:20260112T093020Z
CREATED:20260112T093020Z
LAST-MODIFIED:20260112T093020Z
UID:10007540-1777402800-1777413600@dublintown.wpenginepowered.com
SUMMARY:Café del Mundo
DESCRIPTION:Café del Mundo is a German flamenco guitar duo featuring musicians Jan Pascal and Alexander Kilian. The two guitarists combine traditional Spanish flamenco with elements of jazz\, classical\, and world music\, creating a unique genre-defying sound that has gained them a strong following.
URL:https://www.dublintown.ie/event/cafe-del-mundo/
LOCATION:Ambassador Theatre
CATEGORIES:Classical,Jazz,Music,World
ATTACH;FMTTYPE=image/png:https://dublintown.wpenginepowered.com/wp-content/uploads/2026/01/Cafe-Del-Mundo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260428
DTEND;VALUE=DATE:20260510
DTSTAMP:20260309T121009Z
CREATED:20260309T121009Z
LAST-MODIFIED:20260309T121009Z
UID:10008032-1777334400-1778371199@dublintown.wpenginepowered.com
SUMMARY:Sorry You Felt That Way
DESCRIPTION:An award winning domestic thriller about love and the things we wish we didn’t know. \nEmma met Adam in a Tesco at a strange time in her life. After six months of romance and joy she decides to move out of her mouldy box room and into his apartment. Things are looking up for Emma.\nBut on her first night in her new home Adam’s ex-girlfriend is waiting for her in the sitting room and she no longer feels safe. \nFollowing on from a sold out\, award winning run Sorry You Felt That Way returns to Smock Alley Boys’ School. \nWinner of The Fishamble New Writing Award 2024 \n“A must see” – Trinity News\n“A thought piercing piece” – Reviews Hub \nAge Suitability: 16+\nWarnings: Strong language / References to domestic abuse \n\n\n\n\n\nABOUT THE COMPANY\nHarry Butler is a actor and writer from Dublin. He trained at The Lir Academy in Dublin. His first play ‘Changing the Sheets’ played in Dublin\, London and Edinburgh Fringe to critical acclaim. ‘Changing the Sheets’ has recently been translated into Italian in being performed in Naples and Rome in Spring ‘26. \nAnthony Biggs is former Artistic Director of Jermyn Street Theatre in the West End in London as well as The Playground Theatre in London. His work has been performed in the West End and Off Broadway.
URL:https://www.dublintown.ie/event/sorry-you-felt-that-way/
LOCATION:Smock Alley Theatre\, 6-7 Exchange Street Lower\, Temple Bar\, Dublin 8\, D08 EH67
CATEGORIES:Drama,Film & Theatre,Theatre
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260428
DTEND;VALUE=DATE:20260503
DTSTAMP:20260310T121048Z
CREATED:20260310T121048Z
LAST-MODIFIED:20260310T121048Z
UID:10008062-1777334400-1777766399@dublintown.wpenginepowered.com
SUMMARY:The Madonna of Asia
DESCRIPTION:Once Asia’s brightest star\, Rin Asari (Mai Ishikawa) was poised for global fame with the release of her first film in English. But soon after\, she vanished. It’s 2014. Rin\, in her forties\, lives quietly in Dublin. By chance\, she connects with Tara (Clare Barrett)\, a woman living in Hong Kong\, bringing up the past she has tried to forget. When Rin receives an offer to return to the screen\, she must confront what she left behind. \nInspired by the golden age of Hong Kong cinema\, THE MADONNA OF ASIA weaves together live performance\, vibrant projection and multilingual storytelling. Moving between myth and memory\, this piece traces a woman’s journey from icon to exile – and back to herself. \n. \nWritten\, directed and featuring design by Linbury Prizewinner Choy-Ping Ní Chléirigh-Ng 吳彩萍. \nPerformed in English\, Japanese and Cantonese. Japanese and Cantonese dialogue is captioned in English. Run time one hour. \n\n\n.\n\nFeatured by Chris McCormack in The Irish Times as one of 2026’s headline plays.\n\n.\n\nPraise for Choy-Ping’s work: \n“Formally\, thematically\, politically\, there is very little work being made in Ireland that dares as much as Choy-Ping’s.”\n— Carys D. Coburn \n“To be displaced from a place is also to be displaced from language. Ní Chléirigh-Ng’s practice creates a space that foregrounds these themes in new modes of performance across technical and substantive levels\, equally displaced from theatrical tradition.”\n— Michelle Chan Schmidt \n\n\n“Choy-Ping Ní Chléirigh-Ng’s set design is a stroke of genius.”\n— Chris O’Rourke\, The Arts Review\, on Boyfriends by Ultan Pringle\n\n.\n\nSupported by Dublin City Council Project Arts Grant and Incubation Space Award\, Irish Theatre Institute\, PROPEL Programme with Strollers Network\, Rough Magic Theatre Company and The New Theatre Artist in Residence Programme.
URL:https://www.dublintown.ie/event/the-madonna-of-asia/
LOCATION:The New Theatre\, 43 Essex St E\, Dublin\, Leinster\, D02 Y306\, Ireland
CATEGORIES:Drama,Film & Theatre,Theatre
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260428
DTEND;VALUE=DATE:20260503
DTSTAMP:20250828T084355Z
CREATED:20250828T084355Z
LAST-MODIFIED:20250828T084355Z
UID:10006313-1777334400-1777766399@dublintown.wpenginepowered.com
SUMMARY:The Beekeeper of Aleppo
DESCRIPTION:Proudly presented by Martin Dodd for UK Productions Ltd in association with Nottingham Playhouse\, adapted by Nesrin Alrefaai and Matthew Spangler\, from the International No.1 Bestseller Christy Lefteri. \nFrom the producers behind the hugely successful West End and Broadway stage adaptation of The Kite Runner. \n‘I was scared of the bees at first\, but now\, they make me feel alive. They are like a society in complete harmony with itself. Not like people at all\, but maybe what people have the potential to be’  \nNuri is a beekeeper\, his wife\, Afra\, an artist. They live a simple life\, rich in family and friends\, in the beautiful Syrian city of Aleppo – until the unthinkable happens. When all they care for is destroyed by war\, they are forced to escape. On their terrifying journey\, they must face the pain of their own unbearable loss alongside incredible danger. Above all\, they must journey to find each other again. This compassionate and beautiful play is a story of connection – between friends\, families\, and strangers. \n‘A story of loss\, love\, resilience and hope. … it’s impossible not to be moved.’ The Observer \nWinner of the Aspen Words Award\, Runner up for the Dayton Literary Peace Prize\, and one of The Times top three bestselling books of 2020\, Christy Lefteri’s best-selling novel is adapted by Nesrin Alrefaai\, and Matthew Spangler who adapted The Kite Runner. The production produced in association with UK Productions had its world premiere at Nottingham Playhouse in early 2023 and went on to tour the UK\, receiving rave reviews wherever it played. \n  \nRunning Time & Special Effects: \n\nApproximately 2 hours 20 mins including interval.\nThe show contains strobe lighting\, flashing light\, haze and sudden loud noises.\n\nAGE GUIDANCE:\n\nAge Recommendation: 14+ (Under 16’s must be accompanied by a parent/guardian aged 18+)\nNo under 3’s permitted in the auditorium
URL:https://www.dublintown.ie/event/the-beekeeper-of-aleppo/
LOCATION:Gaiety Theatre
CATEGORIES:Drama,Film & Theatre,Theatre
ATTACH;FMTTYPE=image/png:https://dublintown.wpenginepowered.com/wp-content/uploads/2025/08/The-Beekeeper-of-Aleppo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260427T200000
DTEND;TZID=Europe/Dublin:20260427T223000
DTSTAMP:20260312T094521Z
CREATED:20260312T094521Z
LAST-MODIFIED:20260312T094521Z
UID:10008109-1777320000-1777329000@dublintown.wpenginepowered.com
SUMMARY:ÍMAR
DESCRIPTION:BBC Radio 2 Folk Award Winners\, Glasgow-based five-piece Ímar stand out from the crowd – by taking things back to basics. \nWith a line-up featuring members of Mànran\, Mec Lir\, RURA\, and Talisk and a heavyweight collective haul of top prizes – including a the 2018 BBC Radio 2 Musician Of The Year\, 2016 BBC Radio Scotland Young Musician of the Year\, BBC Radio 2 Horizon Award\, Young Folk Award\, nine All-Ireland and eight All-Britain titles – the group’s formation embodies a personal reconnection with its members’ formative years\, dating back long before their recent camaraderie around Glasgow’s justly celebrated session scene. \nAdam Brown (bodhrán)\, Adam Rhodes (bouzouki)\, Mohsen Amini (concertina)\, Ryan Murphy (uilleann pipes) and Tomás Callister (fiddle) share a strong background in Irish music – although only Murphy actually hails from Ireland; Rhodes and Callister are from the Isle of Man\, whilst\nAmini is a Glasgow native\, and Brown originally from Suffolk – and it is these foundations which underpin many of Ímar’s distinctive qualities\, in both instrumentation and material. \nThe band’s unmistakable synergy centers on the overlapping cultural heritage between Scotland\, Ireland and the Isle of Man. All three places once shared the same Gaelic language and a similar kinship endures between their musical traditions. \n“energy that’s seemingly bursting to let loose” – The Herald “exceptional” – The Living Tradition \n“Genuinely jaw-dropping collective virtuosity” **** The Scotsman
URL:https://www.dublintown.ie/event/imar/
LOCATION:Whelan’s
CATEGORIES:Music,Trad & Folk
ATTACH;FMTTYPE=image/png:https://dublintown.wpenginepowered.com/wp-content/uploads/2026/03/Imar.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260427T190000
DTEND;TZID=Europe/Dublin:20260427T223000
DTSTAMP:20260129T122005Z
CREATED:20260129T122005Z
LAST-MODIFIED:20260129T122005Z
UID:10007815-1777316400-1777329000@dublintown.wpenginepowered.com
SUMMARY:Lloyd Banks
DESCRIPTION:Celebrating Two Decades of Hip-Hop Excellence with Lloyd Banks \n\n** \nThere has always been a sense of precision at the centre of Lloyd Banks’ \nmusic. From his earliest recordings\, his voice arrived measured and \ncontrolled\, defined by sharp wordplay\, calm authority\, and a writing style \nbuilt on discipline and intent. Emerging from New York in the early 2000s\, \nBanks established himself as a lyricist whose verses carried weight without \nexcess\, earning attention far beyond the city that shaped him. \nFirst gaining global exposure as a core founding member of G-Unit\, Banks \nfound himself at the forefront of one of hip-hop’s most visible eras. That \nmoment introduced his sound to audiences worldwide\, while his solo \ncatalogue quickly revealed the depth and clarity that would define his \ncareer on his own terms.
URL:https://www.dublintown.ie/event/lloyd-banks/
LOCATION:The Button Factory\, Curved St\, Temple Bar\, Dublin 2
CATEGORIES:Hip Hop,Music,Rap
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260426T200000
DTEND;TZID=Europe/Dublin:20260426T223000
DTSTAMP:20251127T112459Z
CREATED:20251127T112459Z
LAST-MODIFIED:20251127T112459Z
UID:10006987-1777233600-1777242600@dublintown.wpenginepowered.com
SUMMARY:Foggy Notions Presents  SMERZ
DESCRIPTION:Foggy Notions are proud to present the Irish headline debut of Smerz.\nSign up to foggynotions.ie mailing list for presale access. \nSmerz is the Norwegian duo of Henriette Motzfeldt and Catharina\nStoltenberg\, based in Oslo and Copenhagen. The duo released their\nsophomore album\, Big city life\, on May 23 through Danish label Escho. \nUsing collages to capture moments of everyday life and dreams\, Smerz\ntell stories lived and imagined—of apathy\, loneliness and internal\nmonologue\, love and friendship. Smerz operates at the intersection of\ngenres\, drawing inspiration from compositional techniques in classical\nmusic\, the experimentation of computer music and the immediacy of pop\nmusic\, in the palettes of girly existentialism. \nThe duo’s discography includes the critically acclaimed debut album\n‘Believer’ on XL Recordings\, EPs ’Have fun’ and ‘Okey’\, released through\nXL and Escho\, as well as pop fantasy project ‘ALLINA’ and choir piece\n‘Tidligere den dagen’ with vocal ensemble GAEA on their own label\nShopping. \nNotable past performances include Tate Modern\, MOCA Geffen\, Berghain\,\nVolksbühne\, MIRA Festival with Weirdcore\, KODE with the Norwegian\nNational Company of Contemporary Dance\, and Club To Club. From their\nchoir performance at the MUNCH Museum to fashion runway soundtracks\,\nthroughout their work\, Smerz have been known for their ability to\nnavigate and create new sonic worlds. \n“Smerz create a genre-bending dreamscape of introspective reflections\n(“A thousand lies”) mixed with sauntering\, future-focused bops\n(“Feisty”)” \n“Each song on Big city life brings something unexpected to the table\,\nleaving you with something to ponder long after it’s over.” – Paste\nMagazine
URL:https://www.dublintown.ie/event/foggy-notions-presents-smerz/
LOCATION:The Workmans Club
CATEGORIES:Hip Hop,Music,Pop,R&B
ATTACH;FMTTYPE=image/png:https://dublintown.wpenginepowered.com/wp-content/uploads/2025/11/Smerz.png
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BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260426T200000
DTEND;TZID=Europe/Dublin:20260426T220000
DTSTAMP:20260311T130556Z
CREATED:20260311T130556Z
LAST-MODIFIED:20260311T130556Z
UID:10008107-1777233600-1777240800@dublintown.wpenginepowered.com
SUMMARY:THE NEW 52
DESCRIPTION:The New 52 are back! \nTo commemorate the 10th anniversary of their debut album “Let Me Sleep”\, The New 52 are getting back together for one night only with a reunion show in Whelans on April 26th. \nThe New 52 burst on to the scene in 2016\, making a big splash with their melodic brand of indie-rock. Their debut album “Let Me Sleep” was released in 2016\, with lead single “Turning” getting extensive radio play. They toured relentlessly in this period\, wowing audiences across the Ireland & the UK\, before bringing that live energy into the studio for their 2nd major release\, 2018’s “Green EP”. Sadly\, despite remaining firm friends\, life circumstances brought the band to an end in 2019\, which the band commemorated with a farewell concert in their hometown of Dublin.\nIn the intervening years since their split\, the members have gone on to cement their place in the Irish music scene with their solo projects. Lead singer D. Cullen has released 2 widely acclaimed solo albums and garnered significant media attention\, including performing twice on The Late Late Show\, guitarist Conor McLoughlin & drummer Sean O’Connor have recorded & toured extensively with their band Sick Love\, accumulating millions of streams on Spotify and accruing a huge fan base\, and bassist Mikey Deasy has worked prolifically as both a session bassist and as frontman of Cry Baby Purple\, showcasing his fantastic songwriting and vocal skills. During this time\, the members have all remained in close contact and continued to work with each other\, but this will be their first show as The New 52 since their split\, and they can’t wait to bring those songs back to life for one night only.
URL:https://www.dublintown.ie/event/the-new-52/
LOCATION:Whelan’s
CATEGORIES:Music,Pop,Rock & Indie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260426T200000
DTEND;TZID=Europe/Dublin:20260426T220000
DTSTAMP:20260311T115818Z
CREATED:20260311T115818Z
LAST-MODIFIED:20260311T115818Z
UID:10008106-1777233600-1777240800@dublintown.wpenginepowered.com
SUMMARY:RORY O’HANLON: MORNING GUYS
DESCRIPTION:Rory o Hanlon is a Dublin stand-up comedian\, finance executive\, property developer\, self-help guru and all-round great guy\, with over 100\,000 on Instagram. Rory’s popularity growing like a Blackrock JCT second row. \nRory’s D4 guy is proof that a life of wealth and having everything given to you without working is a brilliant way of inspiring others from the world. Rory’s Instagram reels on life as D4 privileged but relatable man has hit a cord with people from every walk of life (mainly in south county Dublin) \nRory’s D4 Guy love of Irish and Leinster rugby has made him so relatable too all Dubliners barring the GAA lads \nRory has specially put this show on the south side of Dublin as he wants people to feel safe and be near the LUAS. \nFor people driving Hendo will be doing a special price in all of his Dublin Car parks \nRory has performed solo shows at the Edinburgh\, Adelaide\, Perth and Melbourne comedy festivals\, receiving rave reviews across the board. On the global circuit Rory has performed in Dubai\, Moscow\, Monte Carlo\, Oslo\, Berlin\, New York\, Gothenburg\, Paris\, London\, and Glasgow .Rory has been hand-picked to open for huge UK acts such as Paul Chowdhry\, Clinton Baptiste\, playing to thousands of people the length and breadth of Britain and Ireland. \nQuotes:\nChortle as having “presence\, poise and timing”\nThe Irish Times as having “a joke every 30 seconds”\nJohny Sexton – Inspiring\nAndy Farrell – My Hero
URL:https://www.dublintown.ie/event/rory-ohanlon-morning-guys-2/
LOCATION:Whelan’s
CATEGORIES:Comedy,Film & Theatre
ATTACH;FMTTYPE=image/png:https://dublintown.wpenginepowered.com/wp-content/uploads/2026/03/Rory-OHanlon-1.png
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BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260426T200000
DTEND;TZID=Europe/Dublin:20260426T220000
DTSTAMP:20251113T111057Z
CREATED:20251113T111057Z
LAST-MODIFIED:20251113T111057Z
UID:10006866-1777233600-1777240800@dublintown.wpenginepowered.com
SUMMARY:CAM COLE
DESCRIPTION:Cam Cole is probably the heaviest one-man band in the world\, fusing blues\, folk\, grunge\, stoner rock and metal into an unforgettable live experience. \nHis story so far is that of an incredible journey from the streets of London to stages all around the world. Starting out as a busker on every street corner that he could play on without getting arrested by the local council\, Cam’s videos went viral on social media\, earning him a loyal fanbase\, millions of streams\, a cameo in Emmy winning TV show “Ted Lasso” and subsequent tours and festival slots across the UK\, Europe\, Australia\, USA\, Canada\, Mexico etc.\, selling out club shows in cities he had never been in before. \nProving that he is more than just a social media phenomenon\, Cam has started to conquer screens now too. Not many artists have an Amazon Prime documentary filmed about them\, Cam joining those select few that have with the “American Mileage” documentary made about his first USA tour last year. Even TV stations in England have started paying attention\, resulting in Cam performing on “Strictly Come Dancing” winner Chris McCausland’s show on ITV and Rightmove licensing his song “Mama” for their 2025 nationwide campaign\, sending Cam’s music into millions of homes across the UK. \nNow with hundreds of gigs and 3 albums under his belt\, Cam has made the difficult jump from street musician to international touring artist without losing the core of what made him unique in the first place. Still building on the wall of sound he conjures all by himself with just a guitar and his trusty Farmer Footdrums\, his live show and sound have expanded over the last year \, now incorporating more psychedelic and expansive sounds. All this will be culminating in his most ambitious work yet: His fourth album “Lost in Creation” is on the horizon and Cam will be coming to Irish venues again in April 2026. Get your tickets and bring a friend\, you have seen nothing like it yet.
URL:https://www.dublintown.ie/event/cam-cole/
LOCATION:Whelan’s
CATEGORIES:Music,Rock & Indie,Trad & Folk
ATTACH;FMTTYPE=image/png:https://dublintown.wpenginepowered.com/wp-content/uploads/2025/11/Cam-Cole.png
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BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260426T190000
DTEND;TZID=Europe/Dublin:20260426T230000
DTSTAMP:20260401T112054Z
CREATED:20260401T112054Z
LAST-MODIFIED:20260401T112054Z
UID:10008337-1777230000-1777244400@dublintown.wpenginepowered.com
SUMMARY:DONGURALESKO
DESCRIPTION:Chillout Entertainment is proud to invite all hip-hop fans to DonGuralEsko’s anniversary concert in Ireland.\nDonGuralEsko returns to Ireland after years away\, and his return coincides with a special moment in his career. Piotr Górny\, known as Gural\, DGE\, Dziadzia Giovanni\, or Messiah of Rap\, has been building his reputation as one of the most distinctive and influential figures in Polish hip-hop since 1994. Three decades of activity represent not only an impressive body of work but also a history that has shaped generations of listeners. \nThe concert in Ireland will be a celebration of this journey – from his early steps in Rapscalion X and Killaz Group\, through iconic projects like KASTA and PDG Kartel\, to his solo albums\, which have become a staple in the genre. The audience will hear classics that have been a staple with fans for years\, as well as newer tracks that confirm that Gural remains in top form. His style – fast\, full of wordplay\, cultural references\, and a distinctive rasp – is inimitable and has been the artist’s trademark for years.\nThis isn’t just a concert. It’s a celebration of fans\, memories of their shared journey\, and an opportunity to celebrate DGE’s thirty years in hip-hop culture.\nIt promises to be a special evening filled with the best rap – you can’t miss this event! \n————————— \nAges 18 and over are allowed. ID required.\nTickets must be printed or shown on a smartphone to the organizer before entry. Tickets without a code are invalid.\nThe premises have spaces for disabled people.
URL:https://www.dublintown.ie/event/donguralesko/
LOCATION:The Grand Social\, 35 Liffey St. Lower\, Dublin 1\, D01 C3N0
CATEGORIES:Hip Hop,Music
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